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It's a perfect storm in a literal teacup. The whole loudness war thing does my head in, i often think the anti-loud people just can't get decent mixes, so strike out at people that can. I believe Bob Katz suggest in his book 'Metering Audio' 2nd edition that working in K-14 is the happy compromise, even if later mastering at K-12 for mass consumption. always bring the levels up later when mastering tracks in Ozone. The downside was my inputs on effects were lower than they'd like to see. Anyway, if I stick with K-14 metering, would I simply subtract 2 dB from your suggested targets?Īs an aside, the beauty for me of mixing with K-20 was having tons of headroom and not worrying about exceeding 0 dBFS.

My input levels were often too low on some effects. But I believe you pointed out back on PUF that most Reason devices are best operated at higher input levels, and I have noticed this when I was using K-20 metering.

But since I'm not scoring movies, that was pretty radical, so lately I'm using K-14 metering and still getting some extra headroom. Giles, I set my Reason metering to K-20 long ago for the benefit of added headroom.

Download the new version for windows Disk Sorter Ultimate 15.6.18